Thesis Proposal


CONNECTEDNESS AND SUSTAINABILITY:
AN EXPLORATION OF THE BENEFITS OF CONNECTING PEOPLE, COMMUNITIES, BUILDINGS & NATURE

ABSTRACT
Buildings can have a significant impact on communities, human health, well-being and work performance.  Sustainably designed buildings bring a healthier and safer approach to design.  Yet, at a time of climate changes, rapid resource depletion and world population exponential growth, the current sustainability practices have focused more on policies, accreditation and the spurring technological innovations than on the social aspect of building “green”.  As a result we have not made enough progress with designing sustainably.  While our ecological footprint is getting bigger with time and our planet is soon to be on “life support”, the public seems to feel less involved in making changes to build a better future for our living planet. The bigger the flags, the more helpless we feel.  Which begs the question whether architects and environment behavior researchers can work together to create a change in the mindsets of people and communities towards the built environment and anthropogenic issues.   Collaboration amongst architects and environmental psychologists could “seam” the two fields and figure out the “missing link” between the built environment, communities, people and nature and get the movement going. And hopefully reverse the time and undo what went wrong.  
Generally speaking people don’t react to issues until they experience the negative effects themselves.  Considering the disastrous effects of climate change we should be reacting now.  We seem to be aware of this but we don’t really understand the negative effects of our ecological footprint until we experience what Gertner calls “a Pearl Harbor moment”[1]   So why is there apathy towards what is happening before our eyes?  Perhaps it is our disconnectedness from nature or the social activity within our own community that makes it hard to feel inclined to care for our community and our world. A sense of connectedness will make us feel accountable for one another when we engage with others, communities, organizations and the places we live and work in.
Today, we have created a world where the senses are no longer stimulated as we become more estranged from the natural world. W.H. Whyte suggests that streets are a place to connect people... a glue of social life. “The street is the river of life of the city, the place where we come together, the pathway to the center.” However our social life seems to be suffering. We have been developing suburbs with no hub, streets with no connection between people, where the use of car remains the primary activity when stepping outside of our house. We have been working in windowless offices, in cubicles with minimum stimulation, no color, no variability, basically no organic quality; In places that are mechanical to the point that they’re weakening us.  As a result we have forgotten what it’s like to be connected to our environment, our people and what the natural environment has to offer.  So how do we make people take the leap from changing a light bulb at home to take action within the community and  create a better place to live and work?
This study is an exploration of the benefits of connecting through our senses to communities, the built environment and nature.

Community: getting people together to play a role in sustainability

In the 60’s, people moved out of urban places to the spurring suburbia which was designed to accommodate the American dream “of the Jones”: an over-sized house, two cars and garages and a greener lawn.  What it did not foresee is the decline of the sense of belonging to a place.  Since the beginning of time people have naturally gathered together. Centuries ago, at night the villages placed great value on community rituals.  American Indian communities offer a familiar illustration of this ritual: gatherings around the bond fire where storytelling takes place.  “We believe it may be a vital social function, which plays a role as fundamental and as necessary to people as communal eating (…) the experience of the campfire is the closest western equivalent: people’s love of camping suggests that the urge is still a common one”[2].  
Yet the sense of community has evolved with time and the advancement of technologies.  First the hearth replaced the campfire, and then the television replaced the hearth. Although watching the television is a rather disengaging activity, it can be a communal activity.  Now the especially singular activity of interacting with the Internet has replaced the television. If we consider this traditional understanding of communal activity, the Internet till now remains a very non-communal activity. The disappearance of the hearth and appearance of the TV set is a milestone in the changes of people’s social life within the household.  Unfortunately this sense of belonging has disappeared with the loss of these communal activities.
Outside the home, a sense of belonging in the public space has been eroding as well.  How public space shapes social life has been the main subject of observation by urban designers, architects, sociologist, geographers etc. Whyte advocated that “the social life in public spaces contributes fundamentally to the quality of life of individuals and society. (…) we have a moral responsibility to create physical places that facilitate civic engagement and community interaction.[3]  His studies raise the questions: how do we build communities?  How do we bring people with shared concerned?  How do we bring everybody in the process?  
Schneekloth describes the public space as “the space left over from the private articulation” and our private spaces as what we consider “our region of concerns” and therefore our apathy towards the public realm falls outside of our “region of concerns”.   She examines a neighborhood organization located in Buffalo, NY called Community Action Information Center. This organization, with the help of a leader activist, manages to come together to take action and move the hazardous trash from the “private” backyards into public spaces. This coalition turns a private problem into a “public” issue and the city is challenged to step up.  “The community decided it was time to engage in an act of civil disobedience to draw attention to their problem. If the city would not pick up trash on private property, the only avenue left was to move it onto public lands-sidewalks and street.”[4] This show of community affirmation and connectedness not only strengthens communities but shows how public space should be within “our region of concerns.” The role of communities in sustainable design is paramount. If there’s a sense of community, people will feel accountable for one another again and will take action towards building a healthier place to live.  

Sense of belonging in the built environment: democracy of the senses

While LEED (Leadership in Energy and Environmental Design) is certainly a positive push for sustainability and green design, it is not enough. It may be great for marketability but the USGBC accreditation still has a long way to go to encompass all necessary steps to make the built environment truly sustainable and desirable by its users. LEED is often seen as “broken” by architects and developers who often face the complexity of “getting points” “LEED awards one point for providing employees in non-perimeter areas the ability to control temperature, air flow, and lighting. We did one better (…), designing it so that there were no non-perimeter workspaces, thus providing every employee with access to views, daylight, and fresh air. But by eliminating non-perimeter workspaces, we didn't get extra credit; we lost our shot at the credit entirely.”#[5]  The confusing standards may be misleading us to a maze of point system when really sustainability should primarily take into account the societal quality of a space.  Basically people must like a building to make it truly successful and sustainable. While it is convenient to assume that occupants of LEED rated buildings respond positively to their environment, studies have showed otherwise:  Based on surveys directed by the University of California, Berkeley, “Center for the Built Environment”, responses of the occupants of LEED rated buildings show inconsistent results.  The satisfaction with the interior quality is actually not much different that the non LEED accredited buildings. In fact, many LEED buildings score worse than non-LEED buildings on the sensory satisfaction basis.   “The average satisfaction scores in green buildings for lighting and acoustic quality were comparable to the non-green average. Comparing complaint profiles of those dissatisfied with lighting and acoustic quality, a higher percentage of occupants were dissatisfied with light levels and sound privacy in green buildings.” [6] Architects must focus on creating tools that will induce a sense of safety and belonging when navigating through a building.

Perception and cognition of a public space is an important design step an interior architect must take into consideration when designing a building. Designers can improve people’s sense of belonging or not depending on the clarity of the sense of direction of a space.  According to Lang “the ability to orient oneself, both socially and physically, is a major contributor to an individual’s feeling of security”[7]   Yet Individuals’ feeling of security in the built environment depends on how easily they can orient themselves and create a cognitive mapping of the place. Cognitive maps are personal mental graphic representations of a place and can be partial, schematized or distorted; they differ from one individual to another.   Therefore, way-finding is important but it is not enough. Other components come into play to understand how to make people feel welcome and belong to a space.  For this, Post Occupancy Evaluations have been used to evaluate the degree to which buildings enable users to feel within a space.  Studies focus on how they take control over the built space. For example, how do they adjust the lighting and temperature so they feel comfortable in a given space? The evaluations show that controllability of lighting and thermal comfort is a key component in the well-being of people in the built environment: the operability of windows, the controllability of the HVAC system and light plays a crucial role in people adaptation and perception of comfort.  Meaningful sensory variability of colors, shapes, smell, sound, tactile qualities and vista are also key components to experience the built environment.   When interior designers specify materials selected with sensory experience in mind, they create an experiential engagement for the end user. Unfortunately, today’s architecture have been converging on serving the visual realm. Luckily, phenomenologist architects such as Steven Holl, who designs based on how people experience building materials and their sensory properties. He denounces the lack of sensory quality in the mainstream architecture: “The architecture of our time is turning into the retinal art of the eye” [8]. Likewise Alvar Alto, believes it is essential that architecture “(…) addresses our sense of movement and touch as much as the eye, and creates an ambiance of domesticity and welcome.”

A relevant sensorial approach to connectivity between buildings and spaces are their smell.  David Owen, describes his experience of how he engages with places and specifically their smell. In his ingenious article The Dime Store Floor the author tells us the entertaining story of his quest of odors and his recollection of olfactive “childhood” memories. He illustrates his thesis with examples of what his childhood smelled like:  powerful scents of pines and rooms which bring back instantly memories of younger years spent in summer camps, at the dentist’s office, smoky rooms or with family members. “I experienced a form of time travel: the trees smelled exactly like the summer camp I attended when I was thirteen and for a moment I was transported to (…) the tent I shared for six weeks with four other boys”[9] 
Our thermal comfort within a building highlights our sense of connectedness to the built environment. Heschong in her chapter “Affection”[10] describes man’s relationship with the seasons and climate and specifically the thermal qualities of a place or space.  She studies the rituals and festivals of cultures that place great value not only to the changes of seasons and the thermal conditions but also towards objects and places that have a certain thermal association. 
Lastly, comfort comes with familiarity: people like buildings that have characteristics from the past. Historic preservation and the retrofitting of long-standing buildings is an evident way to complement sustainable design.  But what's more is that the remembering of old places like the dime store Owen  takes us to, confirms that people like the character of a building because they look or smell familiar confirms their connection and engagement with the built environment.

Connecting indoor spaces to nature: Biophilia and Topophilia

People’s desire to seek out the natural qualities of the environment exists because it offers a sense of refuge from the everyday world. “The realm of nature, in other words, affords a change of pace from the high intensity levels, the tensions, and the fast paced character of the (…) urban society.[11]   Think about walking into a forest or the Grand Prairie. This natural environment is full of stimuli such as the smell of clean fresh air, outdoor odors, visual changes, color, spatial variability and change in lighting levels. Yet when entering a building how can we still feel connected to the natural world?  How do our senses react to the indoor environmental conditions? When connecting our senses to nature within an interior space, our sense of belonging, morale and wellbeing improves.  Kellert states that “humans evolved in a “biological – not artificial or manufactured – environment and continue to depend on ongoing contact with nature for their physical and mental well-being.”[12] He suggests that the indoor environment must offer similar qualities for the users. Biophilia refers to the deep bond between humans and the natural world.   In interior design, biophilia, or what Herman Miller calls Phylogenetic Design "can refer to increasing sunlight, plants, high ceilings, places of refuge, etc. to bring qualities of nature into a space. Studies have shown this increase in exposure to nature can cause increased wellness and cognitive functioning in the inhabitants of the space. 
Biophilia suggests that there is an instinctive bond between human beings and other living systems and it can be a very powerful tool to engage people within the built environment. Biophilic features and their benefits have been studied extensively already in the health-care and the work environment.  Benefits include improved health, well-being, cognitive performance but also reduction of stress,   resulting in enhanced life and work satisfaction.  There is increasing indication that the design features that are responsible for these benefits are connected to nature. In the case of the office space, there are some practical ways, aside from adding more plants, to arouse this phenomenon:  daylight and sunlight, vista to the outdoor, visual changes and last of all atmospheric conditions such as light, temperature, ventilation and noise.  In a Science magazine article, “View through a window may Influence recovery from surgery”[13]  Ulrich examines how visual stimulation fosters more rapid recovery for the patients with brain impairment and studies how the restorative influences of nature scenes reduce worrisome thoughts.  More precisely trees, plants, water are all positive distractions that induce positive feelings. Therefore windows offering a vista on natural elements as well as house plants and pets are key elements for people’s well-being.

The dialogue between inside and outside is stimulating. Window views to the outdoors are paramount to keep the connectivity between the interior environment and the natural world. Topophilia, a term coined by geographer Yi-Fu Tuan in his book “Topophilia: a study of environmental perception, attitudes, and values” defines all emotional connections between physical environment and human beings.  As architect Maya line describes her approach to design “I do not want to see architecture as a dividing line between inside and outside.  Instead I would like to create a fluid transition between building and its site, so that you will always feel connected to the land.”[14] There is a strong correlation of our affection towards anything that connects us to the outside landscape of a place as well as the natural cycles whether it is the cycle of days and night or cycle of plants and animal growth.  By designing buildings that connect to the topography of our surroundings, we are more likely to benefit from that natural landscape.


What is the study about?  Why is this important?

When quantifying the benefits of connectedness, four values come into play: economics, physical health, mental health and ecological values. Sustainable design is not just for social and health benefits; there is a real economic value to sustainable design.  Investing in sustainable buildings is investing in people and communities which invariably mean consumers.  National and international accreditations such as LEED do increase awareness but may only add a perceived value. Unfortunately much of the green design currently requires high technology and unaffordable products thus hindering architects and developers ability to sell sustainable solutions for built environments.  But this is not simply a economic consideration. Although there is great value to finding ways to making sustainable design economically viable, fixing the public’s eroding sense of community and our disconnect with nature is the real challenge when we are educating the public about the benefits of these efforts.  Promoting connectivity between people and their communities, buildings and natural environment is paramount to the success of the sustainable built environment.   Built environments can build communities and can connect us to nature.  

The thesis research will investigate how a sense of connectedness among us and among nature may be the “missing link” to sustainable design practices. How can buildings connect people? How can we create connectivity with interior architecture? How can we be connected to nature in an interior environment?  The thesis will be a study of how sustainable interior environments must consider the communities sense of belonging and their connection to both interior and natural backgrounds.  We connect to nature through our senses. The same occurs with buildings. If we allow our senses to guide us, we can build successful sustainable built environments.


Additional References:

·   Bachelard G. (1958) The Poetics of Space: The classic look at how we experience the intimate places, Beacon Press, Boston

·   Conniff R., Reconnecting with Nature Through Green Architecture, http://e360.yale.edu/content/print.msp?id=2164

·   Jacobs J. (1993), The Death and Life of Great American Cities, Modern Library Edition

·   Kellert S.R., Building for Life: Designing and Understanding the Human-Nature Connection, 1st ed. (Island Press, 2005)


[1] Gertner, J. (2009, 19 April). Why isn’t the brain green? The New York Times
[2] Christopher Alexander (1977), A pattern Language: towns, buildings, construction, 186 Communal sleeping, (p 861) Oxoford Univeristy Press
[3] http://www.pps.org/articles/wwhyte/
[4] Schneekloth, L.H. (1996). Confounding the Public and the Private, Public/Private Issues
[5] Schendler A. (2005) "LEED Is Broken; Let's Fix It, http://www.grist.org/article/leed
[6] Abbaszadeh  s. (2003) Occupant Satisfaction with Indoor Environmental Quality in Green Buildings
[7] Lang, J. T. (1987), Cognitive maps and spatial behavior. In Creating Architectural Theory: The Role of the Behavioral Sciences in Environmental Design (pp. 135-144). New York: Van Nostrand Reinhold
[8] Steven Holl, Juhani Pallasmaa, and Alberto Perez-Gomez, Questions of Perception: Phenomenology of Architecture, 2nd ed. (William K Stout Pub, 2007)
[9] Owen, D. (2010, 25 January). The Dime store floor, the New Yorker, pp. 33-37.
[10] Heschong, L. (1979), Thermal Delight in Architecture, Cambridge, MA: MIT Press.
[11] Irwin Altman and Joachim F. Wohlwill, (1983) Behavior and the Natural Environment, Plenum Press New York
[12] S.R. Kellert, Building for Life: Designing and understanding the human-Nature connection
[13] Rs Ulrich, (April 27, 1984) “View through a window may influence recovery from surgery,” Science 224, no. 4647: 420 -421.
[14] Maya Lin (2006) Boundaries, Simon & Schuster

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